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So, you finished watching and you’re a little confused. That’s completely normal and entirely expected given, well, the entire ending. But don’t worry, we’re here to explain everything to you.essentially has two endings, both of which are now available on Netflix: the end of the TV series (specifically episodes 25 and 26), which originally aired in early 1996; and the film The End of Evangelion, which was released in 1997. (In between there was a movie called Death and Rebirth, which is on Netflix in a re-edited form as Death (True)², but you don’t need to worry about that: it’s basically just a recap of the TV series with a few minutes of new footage, which originally bridged the gap between the end of the TV series and the release of the movie.) If you’ve watched one or both of them, you’ve likely noticed the jarring pivot towards the story’s conclusion, but might not be familiar with the troubled production history of the acclaimed anime.
Jun 23, 2015 A Cruel Angel's Thesis - Neon Genesis Evangelion OP Piano Tutorial (Synthesia). Enjoy this famous Opening from the old classic anime 'Neon Genesis Evangelion'! Neon Genesis Evangelion OP. Neon Genesis Evangelion is a Japanese mecha anime television series produced by Gainax and Tatsunoko Production, directed by Hideaki Anno and broadcast on. Skip navigation Sign in.
Here’s everything you need to know about the infamously complicated ending of Evangelion. Evangelion’s Apocalypse ExplainedLet’s start with the anime series’ ending first. At the end of episode 24, Shinji is forced to kill Kaworu, who was revealed to be the final Angel. Despite being made to reunite with Lilith, thus wiping out humanity and making Angels the new dominant lifeform, Kaworu is moved to give his own life so that humanity—or rather, Shinji—can go on.
With all the Angels gone, SEELE and Shinji’s father Gendo Ikari both set the project known as “Human Instrumentality” into motion: a process that will meld all human beings into a single shared consciousness. While both forces want Instrumentality to happen, what they want from it is wildly different. SEELE’s goal is to make the meld a permanent state, with everyone blending together and losing any sense of humanity. They’re a kind of death cult, believing that humanity isn’t fit to live as it is and must undergo a unification in order to become a new being. Essentially, life is too hard, it’s beyond fixing, so let’s hit the reset button and start over. Gendo, however, is carrying out his late wife Yui’s plan, at least coincidentally. He wanted to use EVA Unit 01 as a sort of “arc” where everyone would experience the benefits of understanding one another and healing their own traumas, but also be able to resume individual shape afterward.
To that end, Yui sacrificed her life so that her soul would inhabit Shinji’s EVA. Unlike SEELE’s plan, Yui’s would allow people to understand one another and then build a better future while retaining individuality.
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This is all kind of incidental to Gendo, whose driving desire is to see Yui again. Gendo, implicitly in the series and explicitly in End of Evangelion, is the person Shinji is in danger of becoming if he can’t find a way to change. That is to say, the actual worst human being and father. All of this is set up before the finale begins, though often in cryptic dialogue masked by references to Christian iconography. Very little of what we’re about to describe happens explicitly in the TV series, and visually the show begins to look dramatically different than the first 24 episodes. Instead, episode 25 begins with Shinji already undergoing the process of Instrumentality.
However, because of the select images that are shown, like Misato’s body suffering the same gunshot wound and Asuka having been moved from the hospital to her EVA, it’s safe to assume that what happens explicitly on screen in the movie is also likely happening offscreen between the end of episode 24 and the beginning of episode 25. The TV series is far less interested overall in the “hows” of the apocalypse than the emotional stakes that event represents for the cast. Still, let’s break it down what End of Evangelion depicts. In order to gain access to Unit 01, SEELE sends a military strike force into NERV headquarters and kills most of its personnel. Misato, before she’s fatally wounded, tells Shinji that Angels and the human race are all descendants of Lilith: each Angel is a different version of what humanity could have evolved into.
This means that just like the Angels, humanity is also trying to reunite with the scary-mask-Lilith in the basement and ascend into a new form—that’s Instrumentality. Misato begs Shinji to stop this from happening, but EVA 01 is unable to move. Asuka is gruesomely taken out by a series of artificial EVAs powered using Kaworu’s DNA (the same as Rei’s “dummy plug”). Meanwhile, down in the basement, Rei absorbs the embryo of Adam—the creature created by the First Ancestral Race that SEELE dug out of Antarctica—but rejects Gendo as the leader of the apocalypse. Instead, because she is a clone made of Yui’s DNA and Lilith’s, she’s able to meld with the scary-mask-Lilith and turn into a giant Rei. Having done this, she seeks out Shinji, who has managed to get into the awakened EVA 01.
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Terrified by the sight of Asuka’s mangled EVA, his breakdown intensifies, and he is powerless to stop the unification of the EVA (a symbol of humanity’s knowledge) and Lilith (Giant Scary Rei). Lilith-Rei appears to everyone in the form of their most beloved person-for Shinji it’s Kaworu, for Hyuga it’s Misato, for Maya it’s Ritsuko, and so on. The only exception is Gendo.
While he sees a vision of Yui, she (alongside Kaworu and Rei) berate him for his abandonment and abuse of Shinji before Yui, whose soul still inhabits EVA Unit 01, bites off his head. Around the world, humanity melts together into a sea of LCL (that’s the stuff pilots float in when they’re piloting the EVAs). That takes us roughly halfway through the movie and, theoretically, to the point where episode 25 of the TV series begins. Confusing, right? All of that tells us the “how” and “what” of Evangelion’s apocalyptic conclusion, but the mechanics are secondary to the metaphor: this is about the world “ending” in emotional terms, as a result of debilitating mental illness (particularly anxiety and depression). To that end, many fans prefer to think of the different endings of the TV series and End of Evangelion as universes when it comes to the results of Instrumentality, each potential paths that Shinji could have taken.
Though never confirmed as canon, the multiverse theory is a popular one because it offers a possible explanation as to how these two starkly different conclusions can co-exist within the same continuity. Interested to see the biggest changes Netflix made to their re-release of Evangelion?
Watch the video below. Differences between the ending of Evangelion TV series and the End of Evangelion movieIn the TV ending, Shinji is able to confront his self-loathing successfully—as are Asuka, Misato, and presumably the rest of humanity. However, you may have been caught off guard by how Shinji’s journey is rendered in abstract, with line animation and sometimes plain colored marker drawings. There are conflicting reports as to why this happened: anonymous have alleged that the show had difficulties finding (or rather, keeping) sponsors, leading to a need to outsource production work and the budget running thin in the show’s final third; puts it down to scheduling issues caused by the television networks, which would have left the team insufficient time to f.
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